Sembra morto... ma è solo svenuto

Fantozzi contro tutti est un film de comédie italienne, sorti en 1980. Il est le troisième film de la saga du greffier malchanceux Ugo Fantozzi, joué par son créateur, Paolo Villaggio.

Une comédie politique satirique et acide divisée en épisodes. Le film est co-réalisé par Mario Monicelli, Ettore Scola, Nanni Loy, Luigi Magni. Les épisodes dressent un portrait critique de la société italienne, décrivant les italiens comme des personnes paresseuses, désorganisées et incompétentes. La critique devient de plus en plus acerbe au fil des épisodes.

Un tueur en série sévit en Italie. L'inoffensif Loris ne tarde pas à être suspecté.

Antonio (Totò), ancien acteur de variétés, garde sa fille dans un excellent internat en organisant de petites escroqueries avec son ami et collègue Felice (Taranto). De bonne humeur, l'inspecteur Malvasia (Calindri) le persécute. Lorsque leurs enfants respectifs sans méfiance tombent amoureux, les deux pères font la paix.

A bureaucratic snafu sends Marco Tullio Sperelli, a portly, middle-aged northern Italian, to teach third grade in a poor town outside Naples

Well-known writer Ettore takes his family on a mountain chalet getaway for his birthday, in an effort to create a bond between his two sons, Claudio and Giulio, and his second wife, Margherita. The group is also joined by Margherita's brother, Claudio's girlfriend, a Ukraininan cook and her daughter. When an internet outage strikes, a series of exciting adventures ensues.

Political strategists in a northern Italian city push gay-rights campaigner Piero into the mayoral race, pairing him with uptight conservative toughie Adele. Piero and his partner, Remo, are the stable ones, while buttoned-up divorcee Adele nurses her bitterness.

Alberto Nardi, homme d'affaires médiocre et dépensier, est marié à Elvira, issue d'une riche famille à la tête d'une fortune conséquente. Alors que les créanciers le harcèlent, son banquier accepte de lui prêter de l'argent uniquement si son épouse le garantit. Lassée d'éponger les dettes de son mari, Elvira refuse et Alberto se prend à espérer un prompt veuvage…

The day of Chief Constable Saracino begins badly when his new car is stolen. Then, in his office, he meets Alfredo Fiori who believes that his wife and her lover, a veterinary, are trying to murder him.

Louis C.K. muses on religion, terrorism, small towns, Florida, disabilities, dogs, Auschwitz, marriage, sex, vegans, and his personal sexual controversy, in a live performance from Washington, D.C.

Tom and Jerry two Italian two bit actors go to America because they hope to take part in a film starring Sylvester Stallone. However when they go to his villa in Beverly Hills, Stallone gets murdered and the two are suspected of the murder. Hunted by the CIA and the FBI they flee across the USA disguised as women and end up working in a restaurant as showgirls. Here Tom meets a Mafia boss who falls in love with him and goes to Mexico with him to escape the police hunt. Some years later the two friends meet again: Tom has married the boss's ex girlfriend even if he still dresses as a woman.

Le film évoque la Marche sur Rome de Mussolini à travers les aventures comiques et piteuses de deux chemises noires, anciens combattants de la Première Guerre mondiale, fraîchement convertis et particulièrement naïfs. À travers leurs déconvenues cocasses, qu'ils enregistrent scrupuleusement en biffant une à une les promesses fascistes au fur et à mesure de leur trahison, les deux personnages perdent progressivement leurs illusions. Le film s'achève sur l'entrée dans Rome, présentée par des images d'archives, au moment même où les deux compagnons décident de quitter, écœurés, le mouvement fasciste.

A wealthy broker, Federico Picchioni, within two days forfeits his partner and work, finishing well to living with two children and granddaughter (abandoned by her father). He is, at this point, in the face of many difficulties of adjustment but finds comfort in the help of his neighbor.

In Pietrasanta all are excited for the annual party of summer end. Here we find four characters: Merigo, a naive guy passionate of bike; Pierre, son of the mayor; Simone, a pestiferous kid; Mario, lifeguard of "Bagnomaria".

Le jeune berger Fiorin Serafino a toujours vécu libre sur sa montagne avec ses moutons. Il doit se rendre à Rome pour son service militaire, mais il est renvoyé dans son village pour «déficience mentale», où il découvre que sa jeune cousine Lidia a rudement embelli en quelques mois... Mais l'héritage d'une vieille tante apporte à Serafino une petite fortune qu'il emploie à se payer du bon temps et à répandre des largesses autour de lui...

During a sun-soaked Sicilian summer, aimless filmmaking undergrad and back-seat radical Tanino has a fling with Sally, a dreamy American tourist from an upper background. When summer ends, Sally flies back home, without ever reaching out. Clueless, a smitten Tanino decides to pay her a surprise visit under the pretense of returning a camera she left behind. But when he gets there, he quickly realizes the reality of America—and his relationship with Sally's—is far from the idealized version his small-town boy imagination conjured.

Fantozzi est un employé de bureau basique et stoïque. Il est en proie à un monde de difficultés qu’il ne surmonte jamais malgré tous ses efforts. Villagio interprète ces épisodes, basés sur des histoires de son propre livre, d’une manière que beaucoup comparent à Buster Keaton. Avec une production à petit budget, ce film était néanmoins extrêmement populaire en Italie.

Douze sketches, tableaux sombres et amers qui, à la suite des « Monstres »de 1963, mettent en scène l'évolution de la société italienne. 1. Le Pinson du Val Padouan (Ettore Scola) - 2. Tantum ergo (Dino Risi) - 3. Auto-stop (Mario Monicelli) - 4. Enlèvement d'une personne chère (Ettore Scola) - 5. Premiers soins (Mario Monicelli) - 6. Grand garçon à sa petite maman (Dino Risi) - 7. Citoyen exemplaire (Ettore Scola) - 8. Pornodiva (Dino Risi) - 9. Comme une reine (Ettore Scola) - 10. Auberge ! (Ettore Scola) - 11. Sans paroles (Dino Risi) - 12. L'Éloge funèbre (Ettore Scola)

Ernesto and Filippo, two high school teachers, couldn’t be more different: Filippo is a cheerful liberal who is constantly online. Handsome and youthful, he is a serial seducer on the social networks. Ernesto, instead is a stern conservative, rigorously computerless. He is probably the last person around who still has a first-generation cell phone and his teaching methods are very traditional. They used to be best friends but an unresolved fight kept them far apart, until the day fate intervened and they found themselves teaching at the same school. Their opposite viewpoints will soon and inevitably lead to a new clash. The internet will force them to deal with their past, which resurfaces in the shape of Nina, a young woman who conducts an experiment on them: Filippo must try to leave the world of Internet and Ernesto must try to enter it.

The inmate Proietti, nicknamed "Er Soffia", getting out of prison. There is the Roman brigadier Vasco Sacchetti, an agent of the narcotics and his old friend who, to celebrate his freedom, invites him to eat fish at Fiumicino.