One Day We Arrived in Japan

The daily lives and routine of 37 families living in a huge 12-story building in Copacabana, Rio de Janeiro: their drama, aspirations, intimate revelations, loneliness, dreams...

Following a newspaper ad, ordinary women tell part of their life stories to director Eduardo Coutinho, which are then re-enacted by actresses, blurring the barriers between truth, fiction and interpretation.

Un documentaire consacré à la New York Public Library, ou comment une institution culturelle et démographique dominante maintient ses activités traditionnelles tout en s'adaptant à la révolution numérique.

A documentary about the sport of boxing, as seen through the eyes of champions Mike Tyson, Evander Holyfield and Bernard Hopkins.

Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

After another 7 year wait, director Michael Apted revisits the same group of British-born children from Seven Up! and 7 Plus Seven. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

After a 7 year wait, director Michael Apted revisits the same group of British-born children from Seven Up! The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

A depiction of the Wrangelkiez neighbourhood in Berlin. The people portrayed tell their life stories. One woman came to the neighbourhood a decade ago to work in Berlin’s still unfinished Brandenburger Airport, one man reminisces his childhood on a Tobacco farm in Kentucky, another speaks of an exceptional day in an otherwise monotonous workplace. These portraits are interwoven with the story of Elpi, a Greek woman who is waiting for the long overdue visit of an old important friend. The outcome of this mixture is a film which captures the lives and perspectives of some of Wrangelkiez’s most commanding citizens, while at the same time evoking the loss that change and time passing means for places and for people.

This real-life look at FBI counterterrorism operations features access to both sides of a sting: the government informant and the radicalized target.

L'actrice Mariska Hargitay, lauréate d'un Emmy® et d'un Golden Globe, se penche sur l'histoire de sa mère Jayne Mansfield, soixante ans après sa mort.

A journey inside the world of real life caped crusaders. From all over America, these self-proclaimed crime fighters, don masks, homemade costumes and elaborate utility belts in an attempt to bring justice to evildoers everywhere.

Martin Scorsese’s portrait of writer and social commentator Fran Lebowitz, celebrated for her sharp wit and observations on modern life. Filmed at New York’s Waverly Inn and intercut with archival footage and interviews, the documentary captures Lebowitz’s distinctive worldview through her spontaneous monologues and public appearances.

Delbert, Bill, Lyman et Roscoe Ward vivent depuis toujours dans la même ferme de quarante hectares, au milieu de l'état de New-York. Ils ont entre cinquante-neuf ans et soixante et onze ans. Célibataires naïfs et presque illettrés, ils occupent deux pièces dans une cabane délabrée, sans eau courante, ni téléphone. Depuis leur enfance, Delbert et Bill partagent le même lit. La nuit du 6 juin 1990, Bill est retrouvé mort dans son lit. Le matin, Delbert est arrêté ; il a avoué le meurtre de Bill par étouffement. Pendant dix mois, il clame son innocence malgré ses premiers aveux. Les 499 habitants de Munnsville pensent que Delbert a signé un document qu'il ne savait pas lire. Ils organisent sa défense et récoltent 10 000 dollars pour le faire libérer sous caution. Le procès s'ouvre le 18 Mars 1991. Delbert est-il coupable ?

A documentary on legendary movie-poster artist Drew Struzan.

L'histoire de six garçons issus de la working-class anglaise de la banlieue de Manchester qui intègrent l'équipe de foot de leur ville en 1992.

Biographical documentary of the war photographer Don McCullin, with sections on his upbringing, early work for the Observer and extensive war reporting for the Sunday Times until the purchase of the newspaper by Rupert Murdoch in the 1980s.

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

Le capital au XXIè siècle est l’adaptation d’un des livres les plus importants de ces dernières années. En mélangeant références à la pop culture et interventions d’experts parmi les plus influents de notre époque, le film est un voyage à travers l’histoire moderne de nos sociétés. Il met en perspective la richesse et le pouvoir d’un côté, et de l’autre le progrès social et les inégalités. Une réflexion nécessaire pour comprendre le monde d’aujourd’hui.

Jonas Mekas weaves an elegiac diary film from his 1971–72 return to Lithuania, chronicling a visit to his birthplace of Semeniškiai after decades in exile. Blending personal memory with documentary observation, the film becomes both a portrait of homecoming and a meditation on displacement, family, and the passage of time.

Going beyond the occasional news clip from Burma, the acclaimed filmmaker, Anders Østergaard, brings us close to the video journalists who deliver the footage. Though risking torture and life in jail, courageous young citizens of Burma live the essence of journalism as they insist on keeping up the flow of news from their closed country.