Автосерии Юрия Альберта

An experimental film in which both sound and visuals were created entirely by Norman McLaren drawing directly upon the film with ordinary pen and ink. The main title is in eight languages. Rereleased with multilingual titles in 1949.

Film peint directement sur la pellicule, sans caméra, "direct film" comme Len Lye a nommé cette technique. Le premier de l'histoire du cinéma réalisé ainsi qui ait été conservé et vu par un vaste public. Cette transe abstraite et dansante de graffitis aux couleurs intenses, au son des rythmes tropicaux, fut une petite révolution dont l'influence immédiate s'étendit de Mac Laren à... Disney.

In this powerful abstract film with a soundtrack of African drum music, Lye scratched "white ziggle-zag-splutter scratches" on to black leather, using a variety of tools from saw teeth to arrow heads. The first version of the film won a major award at the International Experimental Film Festival Held in Brussels in 1958 in association with the World's Fair. Stan Brakhage described the film as "an almost unbelievably immense masterpiece".

Court métrage expérimental explorant les possibilités de l'animation par intermittence et des images spasmodiques. Norman McLaren joue avec les lois de la persistance rétinienne dans une œuvre de pure imagination faisant penser tantôt à un feu d'artifice très nourri, puis ensuite à un dessin lent à se former et dont on ne perçoit que des touches rapides et éphémères. Film sans paroles.

A collage of two-dimensional images of vegetation, each appearing only for a moment, sometimes as a single image, more often with other bits of stem, leaf, bud, or petal. Often we see only the outline of objects against a black background. Black and green are occasionally joined by fragments of orange or of white and blue. The objects in the frame don't move but they are quickly replaced by another collage, giving the feel of rapid motion. Each collage is crisp, its lines etched against the background of black and later of white. Whitman anyone, or Hieronymus Bosch? Although there is no soundtrack, the rapidity of changing images and colors suggests a riot.

This is a hand-painted film which has been photographically step-printed to achieve various effects of brief fades and fluidity-of-motion, and makes partial use of painted frames in repetition (for "close-up" of textures). The tone of the film is primarily dark blue, and the paint is composed (and rephotographed microscopically) to suggest galactic forms in a space of stars.

Ce film d'animation en dessin direct sur film 35 mm met en jeu l'imagerie de 10 realisateurs européens dans un projet collectif. Re-cycling implique 10 artistes animateurs, venant de différents pays européens. Chacun à produit 1 minute d'animation sur film, en dessinant directement dessus, avec son propre style.

A visual representation, in four parts, of one man's internalization of "The Divine Comedy." Hell is a series of multicolored brush strokes against a white background; the speed of the changing images varies. "Hell Spit Flexion," or springing out of Hell, is on smaller film stock, taking the center of the frame. Montages of color move rapidly with a star and the edge of a lighted moon briefly visible. Purgation is back to full frame; blurs of color occasionally slow down then freeze. From time to time, an image, such as a window or a face, is distinguishable for a moment. In "existence is song," colors swirl then flash in and out of view. Behind the vivid colors are momentary glimpses of volcanic activity.

Short animation of a Russian folk tale, made in 1981. A parody of the fable by Ivan Krylov "The Crow and the Fox".

Dans cette comédie noire animée, une mystérieuse maison unit une famille pauvre, un développeur anxieux et une propriétaire exaspérée à travers des époques différentes.

An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.

In this follow-up to his stop-motion hit Western Spaghetti, director PES transforms familiar objects into Fresh Guacamole.

Dexter and Dee Dee wreck havok using Dexter's latest invention: a hand-held device that turns people into various animals. The short film that inspired the TV-series.

When a young telemarketer is confronted by a mysterious talking ostrich, he learns that the universe is stop motion animation. He must put aside his dwindling toaster sales and focus on convincing his colleagues of his terrifying discovery. It's scary business living in a stop motion world, where your faces come off and a giant hand controls your every move.

Animated series about the adventures of a parrot Kesha, "the hero of our time." The action is concentrated in the city and its surroundings. Kesh lives in the apartment of Vova, a schoolchild, but because of his hot-tempered, arrogant character, he periodically runs away and gets into trouble, eventually returning to Vovka with a confession. The humor of the series is based on the eccentric behavior of Keshi, on recognizable realities, as well as on the multiple quotations used by the parrot.

In stop-motion animation, a wardrobe moves through the countryside. It arrives in a house, a child's voice recites Lewis Carroll's "Jabberwocky," and various objects, such as toys and dolls, move about, disintegrate, and play out archetypal scenes. Like Carroll's verse, the images are at once familiar and unfamiliar. A child's play suit, hanging in the wardrobe, becomes the adventure's protagonist.

I made this film especially for you. I needed to check in with you. I needed to tell you how I feel.

Cobb, Arthur and Nash are enlisted by Cobol Engineering.

Two dogs, one stray the other well-off, become friends.

A third movie about Fyodor and his friends from the Prostokvashino village and their adventures - this time during the winter.