Sketch del fotógrafo Weegee

Humour, non-sens et dérision pour ce spectacle-film, présenté sur la scène du Hollywood Bowl et composé de vingt sketches.

Experimental film following a cycle of seasons as well as the stretch of a single day as a man and his dog slowly ascend a mountain.

Bruce Conner's landmark experimental film consisting entirely of found footage edited to a new score.

In this powerful abstract film with a soundtrack of African drum music, Lye scratched "white ziggle-zag-splutter scratches" on to black leather, using a variety of tools from saw teeth to arrow heads. The first version of the film won a major award at the International Experimental Film Festival Held in Brussels in 1958 in association with the World's Fair. Stan Brakhage described the film as "an almost unbelievably immense masterpiece".

Court métrage expérimental explorant les possibilités de l'animation par intermittence et des images spasmodiques. Norman McLaren joue avec les lois de la persistance rétinienne dans une œuvre de pure imagination faisant penser tantôt à un feu d'artifice très nourri, puis ensuite à un dessin lent à se former et dont on ne perçoit que des touches rapides et éphémères. Film sans paroles.

L'illusionniste Derren Brown mène une expérience de manipulation psychologique visant à pousser une personne à prendre une balle pour un inconnu.

Pour étudier scientifiquement le comportement humain, un scientifique enferme vingt volontaires dans un univers carcéral. Parmi eux, des "gardiens" et des "prisonniers". Mais la situation se détériore. L'expérience dépasse tout ce qui était prévu.

Clips from Da Ali G Show with unaired sketches from the show.

Is it possible to live aside of the system, thinking only about the present and oneself? A feature film about Manuel Vázquez, the best comic book author in Barcelona during the sixties, but, mainly, a man with a very particular way of living his life.

An experimental film in which both sound and visuals were created entirely by Norman McLaren drawing directly upon the film with ordinary pen and ink. The main title is in eight languages. Rereleased with multilingual titles in 1949.

La chronique de la funeste "Expérience de Stanford", une simulation scientifique organisée par l'université américaine en 1971 tentant d'explorer les effets de l'enfermement carcéral sur les prisonniers et leurs geôliers...

Un dangereux criminel est engagé pour prendre part à un programme d'étude médicale. Le docteur responsable de l'expérience doit gérer ses pulsions destructrices.

L'histoire d'un voyage en apnée dans la journée banale d'un adolescent de Los Angeles âgé de dix-huit ans, Dark Smith, hanté par la fin du monde et la quête de l'amour pur.

Stanley Milgram et son expérience d'obéissance à l'université de Yale en 1961 : des personnes ont été persuadées qu'elles envoyaient des décharges électriques puissantes à de parfaits inconnus.

Pour échapper à la négligence et aux abus de ses parents, un jeune garçon plante d'étranges graines qui deviennent grand-mère.

This is a hand-painted film which has been photographically step-printed to achieve various effects of brief fades and fluidity-of-motion, and makes partial use of painted frames in repetition (for "close-up" of textures). The tone of the film is primarily dark blue, and the paint is composed (and rephotographed microscopically) to suggest galactic forms in a space of stars.

A pre-Monty Python mockumentary, written by and presented by John Cleese, that provides tips on learning how to irritate people.

Virginia is taking a class at film school, and has decided on her solo project for the class. She will secretly film herself and her ex-husband Marcelo with a candid camera while they make love.

A visual representation, in four parts, of one man's internalization of "The Divine Comedy." Hell is a series of multicolored brush strokes against a white background; the speed of the changing images varies. "Hell Spit Flexion," or springing out of Hell, is on smaller film stock, taking the center of the frame. Montages of color move rapidly with a star and the edge of a lighted moon briefly visible. Purgation is back to full frame; blurs of color occasionally slow down then freeze. From time to time, an image, such as a window or a face, is distinguishable for a moment. In "existence is song," colors swirl then flash in and out of view. Behind the vivid colors are momentary glimpses of volcanic activity.

An atmospheric essay, which is an alternative version of Count Dracula, a film directed by Jess Franco in 1970; a ghostly narration between fiction and reality.